Sunday, October 05, 2008

Journey to the Center of the Earth


A great big adventure romp, with one of my favourite adventure actors, Brendan Fraser. This one is meant to be seen in 3D and I’m sure that would make it even more fun. Nonetheless, we didn’t catch the 3D version and it was still very worthwhile. A good yarn, lots of being chased by dinosaurs, fighting off man eating plants and some very freaky flying fish. The boys loved it and Dad particularly appreciated Anita Briel as the female lead. Anita plays an Icelander and is the genuine article, as she was born there. I hope we see a lot more of her.

The Life and Death of Colonel Blimp


Colonel Blimp is originally a British cartoon character. The cartoonist David Low first drew Colonel Blimp for Lord Beaverbrook's London Evening Standard in the 1930s: pompous, irascible, jingoistic and stereotypically British. Low developed the character after overhearing two military men in a Turkish bath declare that cavalry officers should be entitled to wear their spurs inside tanks. The Blimp character in the movie is a far more loveable character. One Clive Wynne-Candy, played by Roger Livesey, he embodies all the virtues of the English soldier and gentleman. In fact, the movie is an ode to Englishness. Made at the height of the Nazi threat to England in 1942 it’s a convincing demonstration that the allies had a lot worth fighting for. Deborah Kerr plays three roles, that of the girl who marries Clive’s German dueling partner and later friend Theo, that of Clive’s own, younger wife, and later his WREN driver when he heads up the Home Guard during the Second World War. Her characters remain young while all those around her age. It’s quite a surprising film to make in the midst of war. It encountered strong resistance when first released from no less than Winston Churchill. When Churchill questioned the Austrian actor Anton Walbrook about the film he famously replied “'No people in the world other than the English would have had the courage, in the midst of war, to tell the people such unvarnished truth”. It’s a cracker of a film. Entertaining and at times quite moving. “The war starts at midnight!”

Kundun


Martin Scorsese’s Kundun is about the early part of the life of the 14th Dalai Lama. It begins some years after the death of the 13th, when the new incarnation of Buddha is “discovered” by a travelling monk in the form of a four year old boy. The boy demonstrates an uncanny knack for identifying the previous Dalai Lama’s possessions, selecting them among other similar items and saying: “mine, mine”. The film is not hugely satisfactory as a narrative, but it is rewarding as an insight into Buddhism and the trials of Tibet. It is lovingly shot with incredible attention to detail. I was struck by the scene of monks creating a sand painting, a large and intricate design, painstakingly created from different coloured sand. The creating of the painting is weaved into key scenes at the beginning and end of the film and at the end it is swept away. The perfect art form for a religion which so strongly embraces that nothing is permanent.